Three Little Pigs and a Big Bad Wolf

The Guardian (UK) has an interesting take on the fable of Three Little Pigs and how it might be covered in contemporary media. (Slow video window – wait for it to open!)

News – social media input – citizen journalism, blogs, commentators and critics all swarming – do they make for better coverage or a muddle?
In any case, it’s a short video worth more discussion.

MIA in Iowa campaign coverage… the voices of Iowans!

The din of the pundits and panelists drowned out the voices of the Iowans at their caucus. Across the dial last night the networks from the big three, the cablers, even those outlying at the far reaches of the spectrum (Current TV) all relied on their experts to talk about the Iowa caucus instead of letting the natural sound play out… the drama play on.
The political coverage resembled a sports broadcast with play-by-play announcers vying for mic time with their color counterparts. It seemed to be a race for who was more clever, who had a better turn of phrase, who was more biting and quote-worthy instead of hearing the direct conversations that stemmed from the caucus. Sure that would have been b-o-r-i-n-g to network executives but it might have been more informative or illustrative of what the voters thought, instead of analysts assuring us what they thought the voters were thinking!

The coverage of the election s more about the commentators than even the politicians. Until we get to a point where we are being offered substantive sound bites in long form – more than 3 and 4 seconds of sound snippets, we are not being truly served by the media investing so much time, effort, energy and resources.

Things seem out of sorts. We have more channels and platforms of news coverage than ever before but they seem to be carbon copies of one another – short blips of sound and long form analysis of what views they wish to espouse. It just seems to be more about what the media thinks – what the media knows – than the reaction of prospective voters… how did they hear the candidates? What did they think of the positions, what did they feel, what impacted them?

With so many choices about coverage why does it seem that we have so few options as viewers?

Veteran Correspondent Richard Threlkeld – RIP

Dick Threlkeld was a masterful writer, story teller, correspondent and a good friend of both my father during the Vietnam war and me when Dick and I both worked at CBS and ABC on the US west coast.
He was a craftsman – a wordsmith – a gentleman – a friend.

From the Associate Press

By FRAZIER MOORE
AP Television Writer
NEW YORK (AP) — Richard Threlkeld, a far-ranging and award-winning correspondent who worked for both CBS and ABC News during a long career, has been killed in a car accident, CBS said.
The 74-year-old Threlkeld died Friday morning in Amagansett, N.Y., and was pronounced dead at Southampton Hospital. He lived in nearby East Hampton.
Threlkeld spent more than 25 years at CBS News, retiring in 1998. He was a reporter, anchor and bureau chief. He covered the Persian Gulf War and the Vietnam War, the Patty Hearst kidnapping and trial, and the assassination of Robert F. Kennedy.
He worked alongside Lesley Stahl as co-anchor of “The CBS Morning News” from 1977-79, and reported for “CBS Sunday Morning” from its inception in 1979, as well as for “The CBS Evening News With Dan Rather.”
In 1981, Threlkeld decided to go to up-and-coming ABC News without fanfare and without telling CBS.
“I don’t like to horse trade. I’m not a horse,” Threlkeld told The Associated Press at the time. “After I decided ABC was the best place for me to go, it would have been wrong to make a verbal agreement and take it back to CBS to see what they could do.”
At ABC News, he served as a national correspondent for “World News Tonight.”

How can anyone advocate for civility and free speech when elected politicans won’t practice it

A new low in the war against free speech, open debate, tolerance of views other than those of our own and civility… a new example of a politician stifling debate in what appears to be an effort to prevent an embarrassment.
Steve Chabot’s (R-OH) open town hall with his constituents seems to have been so controversial that the Congressman’s staff requested police disrupt and confiscate citizen-made videos. You’ve got to watch those taxpayers – those interested citizens – those just plain folk-who-no-doubt-have-turned-terrorsist-agents lest they do something really radical like post a video on youtube.com.

It is simply difficult to image what was so threatening to the Congressman that it was worth the fuss and furor of requesting police intervention. It is also mystifying why the police felt compelled to step in where there was no overt or even apparent threat to civil order.

This has the same big-brother feel of overt-over reaction. It raises the question, didn’t we fight a revolution against the British for their same Draconian tactics limiting free speech, open assembly and the right to protest? Are some of us – perhaps among them elected officials – forgetting our own history and roots?

Fed Ct Rules Public Can Make Photographs of Public Buildings – What would seem like a given right has been restored by Homeland Security

How many of us have been stopped, hassled and at times subjected to a Torquemada inquisition over taking pictures of the exterior of a Federal Building?

A Federal Court has ruled the public may make pictures and Homeland Security has changed the rules instructing their security officers not to prohibit or infringe on the public’s right.

Worth printing and having as part of your kit.

A longer version appears here.

The Buck Stops Now – ABC to Stop Paying for Interviews

In what is a wise and I hope foresighted decision ABC is the first of the big 3 networks to say it won’t continue to pay licensing fees associated with securing major interviews.

In what is a wise and I hope foresighted decision ABC is the first of the big 3 networks to say it won’t continue to pay licensing fees associated with securing major interviews.
ABC ends checkbook journalism, will no longer pay for interviews appearing on the Poynter website includes a quote that ABC News President Ben Sherwoood, “concluded that the cash-register approach to journalism was starting to tarnish the network’s credibility, even though the practice was relatively infrequent.”

That’s putting a good spin on it. Paying for access, paying large sums including $200,000 to Casey Anthony was just one in a series of stories that date back many years and include free travel, accommodations, gifts and more to secure prominent interviewees.

I’ve been critical calling the practice perverse
and decrying the practice of raining money for some time.

Admittedly I have witnessed examples of this practice by all major broadcast and cable networks and been personally involved in such stories – and while I found the practice distasteful I admit that I too had involvement.

ABC deserves major kudos for breaking away from this practice. The audience is better served. The business of journalism is better for their decision. The network is at risk of losing some “exclusives” but in the world where that word has lost all meaning, relevance and importance, it is a courageous step and the network has earned acknowledgement.

Another network quote that could be subject to (mis)interpretation…

Words do matter… The real question is – and this has nothing to do with ABC – when did we lose our way in the world with truth? When did we decide to use words as shields for what we really don’t want to say?

ABC News has reportedly moved its “World News Tonight” into an automated control room, much as it had previously done with other news broadcasts including “Nightline”. I saw the story when it appeared on TVNewser .

The ‘old’ model was certainly effective for broadcasts with Peter Jennings and Ted Koppel, so there must not have been anything wrong with what they had — this is simply the future – this is automation – this is also an investment which pays dividends in the diminution of soft costs often otherwise referred to as human operators. The article featured this quote explaining the advantages, “An ABC spokesperson says: “The automated technology allows the news division to have greater uniformity and consistency in the way all broadcasts are produced – from creating a more streamlined production workflow to allowing producers more creative control throughout the production process.”

I am glad they cleared that up.

My point is this – why be obtuse? As communicators and journalists who theoretically are pledged to speak simply and accurately, why not be forthright and say this is more efficient from an economic base. The problem many people – including me – is that we read quotes like these which feel massaged – which read as saccharin, false or phony – which fail to be credulous… and because of that, we begin to feel a lack of trust, a loss of trust.

The real question is – and this has nothing to do with ABC – when did we lose our way in the world with truth? When did we decide to use words as shields for what we really don’t want to say? When did spin, manipulation and verbosity become preferable to just plain old speech?

And why does it continue – even when so many of us – maybe you – really see through it? My posting, while admittedly feeble, is my way of saying – “Caught ya! I accept your decision, but I don’t buy your words.”

A Nifty Interactive Feature on the History of US Newspapers

Take a look: A terrific interactive feature on US newspapers.

Interactive map based on Library of Congress holdings and records.
You can move forward year by year (laborious) or advance the
interpretative panels on the right side (by era or decade).
You can move the map north, south, east or west.
You can zoom in on a city or area.
You can sort by language.
You can sort by publication frequency.
You can look at a detail list of newspapers on the bottom right for any city.

Thanks to my friend RA for sharing this.

Ditzy reporting – when a story becomes personal

Time Warner Cable reporter Suzi Theodory’s  live shot about a brush fire in Southern California becomes more about her than the fire after she is soaked by a helicopter air drop.  She transforms live from being young and inexperienced but sincerely trying into a ditzy rookie.  Sorry.  But the water drop becomes apparently more of the story about her instead of the fire as she repeatedly assures us that she and her crew are “so close to the fire”…. though this is not manifested in the pictures for there are no flames to be seen.

Note too the contradictions within the minute forty-seven second story from being “a growing fire at 10 acres” to suddenly being “almost under control” after the water drop.  Huh?  How did that happen? Oh, and by the way, one speaks of a fire being contained, not controlled, but what’s language have to do with anything when you’re all wet.  Literally.

And again, we wonder why audiences think the press is often too silly for words?

ABC Rains Money

Paying for interviews is against network standards but there is nothing prohibiting payments for licensing rights and other perks paid to news sources and potential interviewees.  The latest? A two-hundred thousand dollar ($200,000.00) payment to Casey Anthony!   It isn’t new – it happened as recently as last night (Sunday)with a six figure deal with Jaycee Dugard and her publisher for a ‘first-look’ at her story.  It has happened over many years – and each network is guilty of doing it, although ABC and NBC have been in a more financially secure position reportedly to be more lavish in their offers.

And don’t think that money only flows to the victims or good guys in such stories.  Two networks were in a fierce bidding war for the songbook of Phillip Garrido – Dugard’s admitted captor and rapist – shortly after the story broke.  Attorneys representing a friend of Mr. Garrido received six figure offerings for his songs which included lurid details of a cross country sex odyssey and other perversions.

The audience doesn’t seem to see a difference between paying for news or paying for access.  In a  celebrity driven world it seems as if we have become accustomed to the habit of stars and news makers wanting to be compensated for their first hand stories.  Networks have been more than obliging in paying sums for what guarantees them the right to brand the interview an “exclusive”.  But does all this loot change the story – does more money make it ever so much more necessary to add an adjective or color the telling of a story in a particular way to make it seem worth the cash?  One cannot demand top dollar and then disappoint the paymaster.  It wouldn’t be good for business, especially when that is show business.

It may be good for business but it is bad for ethics, and there’s just no way around that.