And who says there are no good jobs in journalism?

This has appeared in many places…. but it just cries out to be reprinted in its entirety.

“We want to add some talent to the Sarasota Herald-Tribune investigative team. Every serious candidate should have a proven track record of conceiving, reporting and writing stellar investigative pieces that provoke change. However, our ideal candidate has also cursed out an editor, had spokespeople hang up on them in anger and threatened to resign at least once because some fool wanted to screw around with their perfect lede.

We do a mix of quick hit investigative work when events call for it and mini-projects that might run for a few days. But every year we like to put together a project way too ambitious for a paper our size because we dream that one day Walt Bogdanich will have to say: “I can’t believe the Sarasota Whatever-Tribune cost me my 20th Pulitzer.” As many of you already know, those kinds of projects can be hellish, soul-sucking, doubt-inducing affairs. But if you’re the type of sicko who likes holing up in a tiny, closed office with reporters of questionable hygiene to build databases from scratch by hand-entering thousands of pages of documents to take on powerful people and institutions that wish you were dead, all for the glorious reward of having readers pick up the paper and glance at your potential prize-winning epic as they flip their way to the Jumble… well, if that sounds like journalism Heaven, then you’re our kind of sicko.

For those unaware of Florida’s reputation, it’s arguably the best news state in the country and not just because of the great public records laws. We have all kinds of corruption, violence and scumbaggery. The 9/11 terrorists trained here. Bush read My Pet Goat here. Our elections are colossal clusterfucks. Our new governor once ran a health care company that got hit with a record fine because of rampant Medicare fraud. We have hurricanes, wildfires, tar balls, bedbugs, diseased citrus trees and an entire town overrun by giant roaches (only one of those things is made up). And we have Disney World and beaches, so bring the whole family.

Send questions, or a resume/cover letter/links to clips to my email address below. If you already have your dream job, please pass this along to someone whose skills you covet. Thanks.

Matthew Doig
Sarasota Herald-Tribune”

“Its the Apocalypse”, more after this

Is it just me or does much of the reporting from Japan have a certain giddiness, a breathless excitement of what may come next mixed with a dour expression of the degree of gloom looming with every next story?

I keep anticipating the growing expectations of nuclear horror to even drift right into the local traffic reports which precede most newscasts… “And in Northern Japan right now the 4 horsemen of the Apocalypse are causing major delays to the flow of human refugees from quake stricken areas about to become too hot for human life… and now, the news and the latest on what’s happening in this ‘developing story’…

Japan is a big story. We know that because so many anchors are in country giving the story their personal touch, their individual raised eyebrow of concern and sobering reporting. The disaster in Japan reportage is punctuated by all the big hitters – the New York and Washington show hosts – who have been sent to the center of the action, as if the usual cadre of reporters might not be sufficient to indicate how great the devastation, how overwhelming the human toll and emotion, the degree to which this story is setting and influencing a national (to us) agenda. Now that the media commitment has been made in country, now this is big, and they tell us so.

I am as interested in the Beltway experts who in the hour of nuclear international dismay have stopped bullying one another long enough while weighing in on “just what might be happening” with their own editorial driven speculation (prejudices/agendas/points of view) about unseen events/actions/news releases from half way around the world while making often self-serving, self-aggrandizing points such as, “as they have been saying, worrying and warning all along” some thing like this was bound to happen”, “it was just a matter of time”, and this “should be a warning to us to address our…” nuclear/energy/national policy decisions going forward”.

These are quite obviously serious times. Events, while moving quickly, are not entirely clear, seen or immediately reported. As much as we want to know now, as much as we feel we must have decisive information immediately, this is a story where exact facts, truths and events are as clear as mud. Patience, while a virtue, is not being practiced. Maybe it can’t be… but the breathless excitement over each new tidbit, headline, next half hour of what’s coming up and how bad it will be is getting exhausting.

Egypt, Libya & Japan – there goes the news budget for 2011

In an era of a shrinking news budgets recent events in the Middle East and now Japan – the tens of thousands of dollars in staff time and satellites, in moving anchors and creating special event broadcasts will undoubtedly have a major impact on coverage for the balance of the year.

While there may be (limited) money for breaking news one can just imagine that any discretionary assignments – features, profiles, take outs and enterprises are going to find very paltry budgets and limited enthusiasm.

Just stay tuned.

Propaganda Personified in the Dear Leader

North Korea’s Dear Leader Kim Jong Il and his cult of personality in every aspect of life is showcased in this provocative piece North Korea’s Cinema of Dreams from Al Jazeera’s “101 West” program.

Al Jazeera’s 2+ year effort to gain access for their story pays off lifting the veil of secrecy about North Korea’s vaulted propaganda enterprise in an insightful portrait of young students poised to become the next generation of the actors, performers, film makers and documentarians.

This piece stands in sharp contrast to CNN’s Wolf Blitzer who took cameras along with U.S. envoy Gov. Bill Richardson on one of his diplomatic missions last winter, but so many of the shots focused on Wolf reporting about what he saw and what he felt precious little time was left for actual photo journalism. We saw as much of Mr. Blitzer on camera as we saw Mr. Richardson, and very little was left for anything more than street scenes. This work by Al Jazeera is more about the substance of what is taught, learned and practiced with ample time devoted to interviews and first-person insights and much less about the cult of a TV personality enjoying what’s bandied as his exclusive reporting.

It’s easy to bash North Korea. Hidden, secretive, a throw back to the middle of the 20th century – an enemy, a member of the Axis of Evil, but we do not know much – we do not often focus except at moments of terror and the verge of war. We should know more, though for so many reasons we see and hear and pay attention to very little.

Admittedly it’s always entertaining to read the pure propaganda from the official North Korean news agency KCNA and to wonder just who writes it, edits it – much less thinks any one would even be interested.

Al Jazeera has produced a program worthy of our attention. The network is winning praise for its Witness series of cell phone interviews and reports on Mideast tumult, but long before the events in the streets of Cairo the network has been steadily producing programs on events, places and individuals that are often shuttered to or ignored by western media. The ongoing ban by many U.S. cable operators preventing carriage of the network is shameful in a society which promotes free expression of ideas, discussion and debate.