television – Page 4

Propaganda Personified in the Dear Leader

North Korea’s Dear Leader Kim Jong Il and his cult of personality in every aspect of life is showcased in this provocative piece North Korea’s Cinema of Dreams from Al Jazeera’s “101 West” program.

Al Jazeera’s 2+ year effort to gain access for their story pays off lifting the veil of secrecy about North Korea’s vaulted propaganda enterprise in an insightful portrait of young students poised to become the next generation of the actors, performers, film makers and documentarians.

This piece stands in sharp contrast to CNN’s Wolf Blitzer who took cameras along with U.S. envoy Gov. Bill Richardson on one of his diplomatic missions last winter, but so many of the shots focused on Wolf reporting about what he saw and what he felt precious little time was left for actual photo journalism. We saw as much of Mr. Blitzer on camera as we saw Mr. Richardson, and very little was left for anything more than street scenes. This work by Al Jazeera is more about the substance of what is taught, learned and practiced with ample time devoted to interviews and first-person insights and much less about the cult of a TV personality enjoying what’s bandied as his exclusive reporting.

It’s easy to bash North Korea. Hidden, secretive, a throw back to the middle of the 20th century – an enemy, a member of the Axis of Evil, but we do not know much – we do not often focus except at moments of terror and the verge of war. We should know more, though for so many reasons we see and hear and pay attention to very little.

Admittedly it’s always entertaining to read the pure propaganda from the official North Korean news agency KCNA and to wonder just who writes it, edits it – much less thinks any one would even be interested.

Al Jazeera has produced a program worthy of our attention. The network is winning praise for its Witness series of cell phone interviews and reports on Mideast tumult, but long before the events in the streets of Cairo the network has been steadily producing programs on events, places and individuals that are often shuttered to or ignored by western media. The ongoing ban by many U.S. cable operators preventing carriage of the network is shameful in a society which promotes free expression of ideas, discussion and debate.

Was the question rhetorical?

Just after the carnage in Tucson the airwaves, especially cable and talk radio, seemed filled with hand-wringing and calls for toning down the vitriol in political debate.

There appeared to be a chorus proclaiming a need to return to civility.

In the last 24 hours there has been a turn about – with one network in particular proclaiming that since there is no evidence that harsh words, intemperate thought and anger were at cause for the shootings, then they should not be held responsible nor subject to criticism.

I wonder – if things are so good across this country’s political spectrum, is there is no longer a need for civility?
How did things change so quickly? Did we forget already that regardless of the craziness of the shooter in Tucson, perhaps we all might do better with moderation in thought, anger and speech?

The war we don’t hear (much) about

Arguably the war in Afghanistan drones on into its ninth year with continuing Draconian consequences including the loss of lives (US & Coalition troops and Afghan citizens), a negative effect on US interests and reputation abroad and devastating impact on our national budget, among others. And yet, no one (including, especially the media) seems to pay much attention.

The Project for Excellence in Journalism reported that just 4% of news coverage this year focused on the war and that’s down from the year before when it was a whopping 5%. According to Afghan War Just a Slice of US Coverage this week, the war just does not merit much editorial interest or coverage. Is that because the media finds the war uninteresting? Difficult to cover? Or is it the impression and/or understanding that the audience doesn’t much care for the story, so why cover something distasteful that’s apt to turn viewers off? Or, all of the above?

Thinking back to Vietnam when there were thousands of reporters from all over the world covering that war, daily papers and multiple wire services were filled with incisive and comprehensive coverage. Nightly newscasts featured competitive stories. Names like Saigon, Da Nang, Hue, Cam Ranh Bay, Pleiku and so many others were widely known – heard frequently in coverage and by datelines – and discussed. But what of names, places and coverage from Afghanistan? After Kabul what names do come to mind? And could many (any) of us find them on a map?

Whose fault is that? Is it the media? There are fewer than a handful of reporters in country. Is that because of diminished interest, reduced news budgets? The difficulty (near impossibility) of getting around without the assistance and escort of the US or coalition military? All of the above? But wouldn’t we be better served by more coverage – not just that which is approved by US military and diplomatic handlers?

From the Times’ story, “The low levels of coverage reflect the limitations on news-gathering budgets and, some say, low levels of interest in the war among the public. About a quarter of Americans follow news about Afghanistan closely, according to recent surveys by the Pew Research Center for the People and the Press.

“Inside the United States, you’ve got audiences that are beginning to suffer from war fatigue,” said Tony Maddox, who oversees international coverage for CNN.”

Competition among journalists in Vietnam as well as the wider range of published, conflicting and divergent viewpoints did contribute to the divisive nature of that war as well as to its ultimate peace.

The current crop of Afghan stories – according to what was published in the Times – seems to focus on whether the war is in fact winnable? A fair question – an obvious one at the end of the year and prior to the upcoming new Congress and State of the Union.

But – from a media standpoint – and a critical one – how is it that a war which is sucking resources at an appalling rate only merits 4% of the annual news coverage to begin with? Incidentally this isn’t just the fault of the media, for whatever our many sins might be, we have also become victims of the business culture which seeks to please audiences by giving them news they want, news they will be entertained by – not necessarily the news they need to make sober, serious and informed decisions. Afghan news is deemed to be unpopular unpleasant – it’s certainly foreign – and to be discriminatory or bigoted it is about people and a country we don’t generally think very highly of! There, I said it. From a media management standpoint – though they may not want to admit it – if honest they’d say their audiences don’t understand these people – don’t relate to these people – and don’t believe that our being in country is going to make much of (if any) reasonable difference. We’re marking time until the body county, blood-letting and money loss is so unsupportable that we’ll skulk out having declared a win, proudly asserting we had established a toe hold for democracy and proclaiming a peace. Whatever the hell that will look like.

The real question is this – from a media standpoint – 4%. Is that the best we can do? Is that a measure of how little we really care – and its failing Y2Y.

So as we enter 2011 let’s watch for stories with more bang-bang than politics. And stories about Presidential visits – 3 hours at an US air base – instead of a texture piece on the complexities of the Afghan government. And let’s not minimize the panache of visiting news anchors – Beauties in Bush Jackets – who visit from time to time to do their own ‘in-depth’ personal reporting conducted from the safety of US military escorts. This isn’t reporting. This is white wash. We deserve better… we don’t want to pay for it, we don’t want to be bothered by tough reporting and serious questions… and so instead we wait for Beltway pontificators to fill in what we don’t get from the field — offering platitudes and opinion instead of reportage. It is however a poor alternative for the real thing.

Comparisons of Stewart to Murrow & Cronkite are misplaced

Today’s New York Times story portraying comedian Jon Stewart’s advocacy role in support of 9/11 responders to that of CBS news icons Edward R. Murrow or Walter Cronkite seem out of proportion to history, to journalism and to impact.
Mr. Stewart – though both popular and persuasive – does not merit comparison for his remarks on a single show or position compared to the risks that Murrow for instance took when he spoke out against Senator Joseph McCarthy or the Army hearings; nor that of Cronkite when he editorialized about the long-term future of the Vietnam war. Stewart – to his credit – did speak out using his platform and popularity to ridicule what he felt was happening in Congress, but in doing so he did not risk nor face the same consequences as Murrow or Cronkite.
In our rush to make comparisons to the past – all of us – journalists, professors, every one must be more careful to make more apt, thoughtful comparisons than what is offered today by both the Times and a quote from a professor of popular TV culture at Syracuse.

20% of the audience is gone in the first 10 seconds

20% of the audience clicks OFF a video in the first 10 seconds; 40% is gone at 1 minute and 60% has tuned out at the minute thirty mark.
Distressing?
I think this is a near fatal blow in recognizing audiences don’t even give many programs a chance before they’re clicked off. For corporate clients… for news producers… for any one who produces content this is a sad set of numbers produced by Benchmarking Viewer Abandonment in Online Video which “looked at how viewers watched and ultimately abandoned over 40 million unique video clips, which, in aggregate, have received nearly 7 billion views.”

Blink taught us people make judgments about one another in the first 3 seconds of a conversation, but even at 10 seconds this study gives me little reason for optimism. What does this say for our concentrations? What does this say for our quick-trigger response about what interests us, or what we want to give time to, invest ourselves in?
For clients who produce videos in the hope of delivering messages this will be positively frightening. For my students who flit about from story to story with little regard for depth or concentration, this just gives weight to their argument that if a piece isn’t interesting (quickly) they just wont watch it at all.

10 seconds is hardly justification for ignorance.

The whole world is in a terrible state of crisis, and we dont hear much about it.

The foreign correspondent has become a casualty of the economy. The days of the dashing foreign correspondent, trench-coated and adorned on top with a fedora are long-gone.

Newspapers which prided themselves on their overseas commitment and the breadth and depth of their coverage have long since shuttered their news bureaux overseas. So too have networks preferring to import pictures of breaking stories to London to be voiced there before being re-transmitted to New York.

So what’s lost? The foreign correspondent is dead. Long live the foreign correspondent piece in today’s Guardian by Timothy Garton Ash is a thoughtful, insightful view as to what’s lost when we no longer care (or are willing to pay) to find the news ourselves.

His closing graphs, “For all my experience cries out to me: there is nothing to compare with being there. However many thousands of fantastic clips, blogs and online transcripts you have, there is nothing to compare with being there…

The unique value added by the 20th-century foreign correspondent consisted, at best, in the combination in one person’s experience over time, the considered throughput in a single mind and sensibility, of all three elements: witnessing, deciphering, interpreting. If we can somehow preserve that, in the journalism of our day, then we may yet achieve both more and better foreign news.”

The Guardian story is worth a look…not so much because it breaks a headline about the dearth of competent foreign journalism as much as it is a reminder of what we have lost… and to think about the consequences of our ignorance, a lack of awareness or interpretive appreciation and an absence of understanding.

In 1924 Sean O’Casey ended Juno & the Paycock with the admonition “”th’ whole worl’s in a terrible state o’ chassis”. Never did it seem that was more true than today.

Long live the foreign correspondent.

What’s “new” is already old and what’s old isn’t selling

When did TV News lose its balls? When did TV news decide it was better to get the interview and promise not to offend than to actually hold people accountable and perhaps, dare even, make news in the process?

Is it some sort of unwritten code not to be tough? Is it the result of cut-throat competition that has resulted in a broadcast environment of pabulum? Did news producers find their legs cut from beneath them by corporate ownership (Viacom, GE, Disney) that is more concerned with legislation and other corporate divisions than they are devoted to their news operations and what once passed for content?

David Carr’s To Beat Today, Look to Tomorrow is a thoughtful compendium of what’s wrong with morning news. Those stalwart morning shows… on ABC, CBS or NBC are hardly news any more, certainly not often news-worthy and more often news-light.

Soft features that once would never see airtime in what was once called the 7 o’clock “hard news hour” now dominate and sometimes even lead the broadcasts. Editorial-lite, anchor-intense gabfest now proliferate where once pointed interviews were the morning staple.
News was made – people wanted to be heard making news – programs wanted to break news – politicians and others were expected (and perhaps at times were excited) to appear and speak the truth (that’s news!) as the business day began.

What has caused the change? Not that long ago news makers who said quote-worthy things on a morning show set the agenda for the day to follow. They were even used as snippets in subsequent broadcasts. How long has it been since that happened?

When did TV News lose its balls? When did TV news decide it was better to get the interview and promise not to offend than to actually hold people accountable and perhaps, dare even, make news in the process?

Is it some sort of unwritten code not to be tough? Is it the result of cut-throat competition that has resulted in a broadcast environment of pabulum? Or perhaps what is more likely, did news producers find their legs cut from beneath them by corporate ownership (Viacom, GE, Disney) that is more concerned with legislation and other corporate divisions than they are devoted to their news operations and even concerned for the absence of what once passed for content?

Ok, for disclosure – as a freelancer I do work for more than one of these morning broadcasts 0r their cable cousins, albeit far from the decision centers on West 57th Street, Times Square or 30 Rock.

Guests are fawned over – given fruit baskets with notes signed from “their friends and family at XYZ news”. Yes, God’s truth… that’s what I and others have been instructed to write. I have declined.

I have noted over the years the news divisions sway over the content seems to have been minimized – the intensity of the questioning has been lessened. In its place we see a zeal for getting the guest – for proclaiming it an exclusive even when there was no competition for the story itself.

Have we all deluded ourselves into believing that the audience cared about an exclusive that was, on its merits, not truly important? Does making a hullabaloo about an exclusive raise the story to be worthy of the water-cooler later in the day?

David Carr is correct. The morning news model is dated. Once there was a chance to earn greater interest because the shows were content heavy, compelling attention, and featuring well-written copy instead of largely ad-libbed repartee.

One day the audience might again demand more. Today in the 500 channel world of entertainment it seems as if too many stations – like CBS’ Early Show – are mired in repeating what is already shown elsewhere – echoing through the airwaves – instead of forging new ground.

So sure, toss out the old anchors. Pretend that’s the problem and the solution. If we are following the tried-and-true model of network production next the New York masterminds will once again remodel the show’s set and change graphics package for the program.
For when the anchor carnage doesn’t pan out, this will surely so the trick… after all we’ve experienced this before.

WikiLeaks – media or messenger?

A friend asked for my thoughts about the WikiLeaks story based on diplomatic cables… what the NYTimes currently explains is a (treasure) trove of documents offering perspective on US allies and enemies.

I responded: Troubled… I worry that (what appears to be) an indiscriminate use of Freedom of Information Act requests (FOIAs) is abusive and not journalism. It is troubling that regurgitating huge amounts of data without the legwork invested by and associated with solid reporting masquerades as journalism and contemporary media. I think it does a disservice to all true journalists. Good reporting is less about volume and more about substance, perspective and context, and that does not appear to be reflected here.

My friend and colleague, Sharon Stevenson, now an ex-pat who offers a particularly excellent eye on the media, wrote: “To the editors of the unsigned “A Note to Readers: The Decision to Publish Diplomatic Documents” of Nov. 28, 2010:
I’m wondering if stating that “…it would be presumptuous to conclude that Americans have no right to know what is being done in their name,” means you are saying that the government should therefore have no right to secrecy about any communication or deliberation. Because that’s exactly what that statement implies. Do you really mean that we the public should have the right to know everything that is done or said “in our name” by government?
If that is so, then I must as an American journalist of thirty years ask if you are advocating that the government should fail, i.e. lose all power to negotiate, lose all power to react to possible threats, lose all power to be considered an ally since all those actions normally have some aspect of secrecy or confidentiality involved?
By not condemning, or questioning at the least, the wholesale dump of cables and in fact enjoying the fruits of readership by their publication, not as part of stories generated by decisions of reporters and their editors to pursue information, but as part of the illegal stealing of lawfully classified secret documents, you are in fact encouraging more of the same illegal thefts of government information and making a mockery of “freedom of the press.”
You are not recognizing that the Freedom Of Information Act (FOIA) exists for this purpose to make it possible for legitimate members of the media to get the documents they need to better help the public exercise their franchise, the main reason for freedom of the press in the first place, i.e., for the public to be able to cast an intelligent, well-informed vote.
As much as I have admired and certainly daily read the NYTimes, your reputation for me is now sullied, smirched, dirty, and your actions show you are putting monetary gain ahead of the rule of law and the welfare of the nation.
To help you remain consistent, I hope that from now on the NY Times will record and publish all meetings at the top executive levels of the paper and require reporters to videotape their interviews with all sources and put them on YouTube. Because after all, isn’t it presumptuous to conclude that subscribed American readers have no right to know what is really behind the investigative stories which form the bedrock of your freedom of press?”

The questions posed by this (to me) is that there may be less and less definition between news and text/words. Words become jumbles; thoughts become less important to the absolute volume of content.
The absence of real reporting from so many world capitals makes this all the more alarming. As news organizations have retrenched in the new world economics there are fewer feet on the ground and eyes balls on the scenes to report (and analyze) world and political events, offer perspective and interpretation based on a series of observations, variables and reportage.

WikiLeaks is enjoying surging popularity as if it is some upstart or a David playing against the Goliath of traditional media. Dont forget that Goliath plays a daily role, even if not as glamorous a role as WikiLeaks, an organization that has not invested itself in the daily grind, the less popular but oh-so-necessary role of media.

Cartoon satire – skewered in multimedia

Two recently produced cartoons Donald Duck Discovers Glenn Beck: A Remix and Mickey Mouse Discovers the Government Cartoon Conspiracy Against Glenn Beck are making the rounds in social media poking fun at the politics of the right.
Depending on one’s political bent these can be funny or offensive. What’s more interesting is the use of multimedia – cartoon art, file cartoon footage and audio tape to create new content.

What’s not surprising is the absence of tolerance from those who are trigger happy to judge that these are political hack jobs with their bias run amok. One staunch conservative summarized the first as, “Glenn Beck’s political views have the left driven to distraction. His enourmous (sic) success has them tearing their hair out.” Then he suggested that the second would be better if the target was a democrat, “Barney Frank is far better suited as a target for this type of satire…his voice alone is cartoonish, his history of bizarre behavior just ads to his suitability.”

I am enjoying is the resurgence of the cartoon, today as multimedia. I think Thomas Nast must be smiling.

Who’d want a career like this?

CNBC is reporting on those jobs expected to experience the greatest decline in the next 10 years.
Tops on the list:
“Reporters and Correspondents

Employed in U.S.: 61,600
Change expected in next decade: -8%
Average salary: $34,850

Consolidation and convergence are the top reasons the news industry is shrinking. News outlets are increasingly sharing each other’s content, which means they need fewer reporters and correspondents.

The news business gets hit particularly hard during economic downturns as most revenue comes from advertising, and companies spend less on advertising during a slump. Improving technology is one bright light, which could drive some employment in online or mobile divisions.

Competition is expected to be intense for jobs at large and national newspapers, broadcast stations and magazines. The best opportunities are expected to be with smaller, local news outlets as well as for online news organizations, as technology generates demand for online reporters or mobile news units. Writers who can handle scientific or technical subjects will have an advantage.”

This is enough to make one very sad…and the salaries too. Who’d want a profession that’s guaranteed to enable enrollment in food stamps?

This was once an honorable and valued profession. What happened?